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Kurt's avatar

More fun facts... White lead house paint sloughs off with weather, so the manufacturers started pitching it as "self cleaning". People painted their house with poison that sloughed off into the soil surrounding the house. We've done studies on that dirt and found that tomatoes grown in soil adjacent to old houses are often "lead based tomatoes"....with enough lead in one tomato to give the person eating that tomato an elevated blood lead level.

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Alfie Robinson's avatar

Excellent stuff, thank you. Most manufacturers of hazardous materials will do this in some way or another! With cigarettes it was filters; with asbestos the manufacturers claimed it was ‘chemically locked up’ in a matrix of cement or some such tall tale. The fact is with non-organic pollutants in particular is that they stick around.

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Kurt's avatar

Thanks much. Love your stuff. Clarifications...

Per asbestos...chrysotile asbestos was used in cement board called transite. Transite was the last material containing asbestos that was approved for use because it does not, in fact, release fibers because the fibers ARE gummed up in the Portland cement with binders. One has to grind it to release fibers. Due to asbestos related litigation, now somewhere in the billion dollar category, transite mfg's. finally caved and stopped mfg. the stuff. The true believers will insist that transite asbestos is friable, but all testing showed it was not. If there are (very) new studies showing friability of asbestos when contained in a Portland cement matrix, I'd like to know.

In the early days (1980's) of asbestos bans, floor tiles were also not banned because the material was bound up in the bituminous and vinyl ester binders; the tile had to be actively ground up to release fibers. Early EPA "rules" even said it was ok if there were no broken tiles, abrasive cleaners were not used and the floor was kept waxed.

I am not arguing in favor of asbestos use; of course the stuff should be banned. That said, much of our current rules were a result of litigious activity, not necessarily that the material (in its form as tile or transite) was hazardous. In a reasonable world, one which we do not inhabit, leaving the tile in place and covering it was the recommended remediation. With the advent of aggressive personal injury litigation, contractors that covered asbestos tile with a safe flooring were/are being pursued. In fact, anyone with secondary, tertiary, quaternary, and quinary actions are now being dragged into lawsuits.

So, what is reality when it comes to safe asbestos removal?

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Alfie Robinson's avatar

Thanks Kurt! Fair point on chrysotile in cement matrices—I haven't checked but I'll take your word for it. I got quite interested in asbestos recently and did start to feel similar... Yes, it's hazardous, yes we should have stopped using it. But the case-load seems to be overwhelmingly concentrated among people who constantly dealt with the stuff in high-exposure ways for long periods of time—not random members of the public. Oh and crocidolite and amosite do seem to have been much scarier. The secondary, tertiary etc lawsuits sound insane. In my UK context I haven't heard of anything like that but we are a less litigious bunch.

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William Janis's avatar

Thanks for sharing this essay on one aspect of the history of industrial materials.

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Kurt's avatar

The history of pigments is almost as old as the history of humans. Its development has been non-stop and accelerating until we now have pigments that are (almost) permanent. Even older fugitive pigments like "Opera" (pinkish red) have been reformulated to be (almost) permanent.

The discovery of alternatives to Lapis Lazuli for Ultramarine was one of the greatest developments in art imaginable. Before manufactured synthetic Ultramarine (PB29), pure Lapis powders were used making Ultramarine almost prohibitively expensive. There are a few classic literature stories and operas that include a destitute artist bemoaning the expense of Ultramarine.

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Michael Magoon's avatar

Very interesting. I had never really thought about the technology of paint. Now I do!

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Melmoth Wanderer's avatar

You are a chronicler of "the tough stuff of existence," a subject curiously repellant to most Academics I've known. I keep imagining that your postings should be entitled "What's It All About, Alfie?" but there are probably royalties issues.

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Alfie Robinson's avatar

Hah! Thank you. I like tangible stuff.

I thought of that title as it happens. But that film has a very particular vibe which I didn't want to colour what I've written with

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Fanny Astikasari's avatar

Super interesting and useful insight. Especially the Titanium itself.

The dance of different wavelengths, creating wonderful pigment colours ✨

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Arati Arvind's avatar

Good historical narrative of paint development. Learnt many new ways of producing industrial paints. Thanks Alfie, for describing new methods to replace lead paints

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Christian Miller's avatar

I don't doubt the veracity of the claim, but do you have more clear evidence to back up the subheading claim:

"Lead paint was banned. Before that, it was outcompeted by a cheap and safe alternative."?

This would mean that titanium dioxide-based paint was already cheaper by some measure before either 1979 or 1989, not just currently?

Its significantly cheaper now, but that could be due to lead-based paint becoming a more niche product post-ban?

Could change the interpretation of the usefulness of the ban. If titanium dioxide-based paint was already superior at time of the ban, then the ban was probably less likely to change behavior. But if it was banning a superior product, then one could claim that the cost divergence between the two types was in some part caused by the ban itself.

Lmk if I am missing something.

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Alfie Robinson's avatar

Titanium white was already cheaper by unit area covered as early as 1929 (as in the article, but the source for this is a table of costs in 'Mineral Resources of the United States', 1929 available on Archive.org). This makes sense given the high refractive index of TiO2 and higher opacity. It also makes sense given where Pb is in the periodic table—it's a super heavy element! Which again means it doesn't cover much surface area per unit weight and cost. So yes, it was already cheaper long before the ban.

However it is *also* true that the ban inflated the cost of lead white even more, making it so much more expensive now than TiO2. It has become very niche. As far as I'm aware, no one is making basic lead carbonate for pigments in Europe any more.

My argument is that the late 20th century bans were not that important, cementing trends that were already well established. Most important was developing a good alternative to lead white in the 1920s.

I didn't have space for this, but the early ban attempt in 1921 by the International Labour Organisation had a role to play. This only dealt with lead white paint in certain industrial contexts, and had carve-outs (not a proper ban like we'd understand it today). It also happened *after* the early experiments to get TiO2 in Norway. But it likely added more impetus to the quest for good TiO2 pigments.

If you'd like to read more, reach out to me in DMs and I can provide you with a copy of my article on the regulation of lead white paint in Studies in Conservation.

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Christian Miller's avatar

Thanks for the reply! Interesting that the ban took so long after economically viable competitors existed. Makes me wonder if targeting hazardous substances with competitive substitutes for bans more aggressively is an under-utilized strategy. Don't CFCs and leaded gasoline have similarly persist well after less harmful competitive substitutes were found? Perhaps there needs to be some sort of catalyst to overcoming switching costs and initial capital outlay for increased production of new material. Counter example would perhaps be asbestos, although now I am really out of my depth.

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normality's avatar

Titanium-based and white-pilled.

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